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Artists Educators

You might be surprised

The dancers that show up on the first day, so excited and posting on social media about their first day, don’t last.

The quiet dancers in the back row, who you’re not sure are that into it, stick around.

The dancer that you put your heart and soul into all year, who progressed tremendously under your tutelage, disappears.

The young dancers that always had a great time in class and were so excited about being there didn’t come back.

The dancers you thought weren’t coming back return after 6 months, 9 months, 2 years…

The best thing we can do is keep showing up as our best selves, plan classes with specific focuses and continue personal growth as artists and humans. Those who are meant to be mentored by us will remain in the room.

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Artists Choreography creating Educators

Make it real

We have the ability to ask 10,000 people what a good song would be for a 7-8 year-olds musical theatre solo.

We can join a group where colleagues will share with us how they marketed their studio and all of the promotions and trials they did that were a smashing success.

We can pick songs and create dances based on what we think people would like to see or dancers would like to do, or what we think would score well.

Nobody does you better than you.

All of this is not for nothing, but none of it will work if it doesn’t move you from the core, if it doesn’t feel right and natural, if it’s not coming from you, if it’s not consistent.

My biggest flops were when I was trying to emulate someone or something else because I thought it was better than what I could create or be on my own.

Let your flops and failures be YOUR flops and failures. Only then can your massive successes truly belong to you.

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Artists creating motivation rejection

Wait for it

We see it often. A colleague opens a new space and it’s immediately packed with people (these days, in a limited capacity). What?! How are they open for a week and packed like that?

What if you’re not one of those immediately popular businesses, artists or entities? You start with one client or supporter, then two, a few more… Some stick with you, some disappear.

The ones who stay come for you. They like what you’re about, what your process is, how you designed your program or your work. Little by little, more of those people walk in your door. You’re not afraid to try things because they are there for you and your realness. It’s ok to say, “Hmm that didn’t work. Let’s try this.” And your true fans are there for it.

You might not get that rush of 100 people at your door on the day you open in your shiny newness. The ones that are meant for you will find you, one by one.